Talking to more “Mad Men”: Pete and Peggy
Much of what’s written about AMC’s “Mad Men” focuses on Jon Hamm as existential ad man Don Draper and January Jones as desperate housewife Betty Draper. They are America in the 1950s, striding bravely forward into the lacerating changes of the ’60s, Don with his inner wounds forged on the battlefield and Betty with her apron and her emptiness. But creator Matthew Weiner plans five seasons taking his characters through the 1960s, and the characters who best represent change to come are two twentysomethings, self-absorbed junior ad man Pete Campbell and the secretary-turned-copywriter Peggy Olson.
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Pete’s frustration at home and at work and Peggy’s shy resistance to the sexism at Sterling Cooper collided in some memorable illicit couplings. Peggy ended the season giving birth in secret, to a child whose existence was only rumored at the office. As we count down to the second-season premiere tonight at 10 on AMC, let’s hear from the actors who play them, Vincent Kartheiser and Elisabeth Moss, both interviewed at press tour and on the set over the last couple of weeks…
Kartheiser (right) on Pete’s troubled self-image: “The thing for Pete is, he does feel sad for himself. The first season is a lot of him saying, Why can’t I get what I want? He represents the next generation of youth, but like youth now, he’s very apathetic, very whiny, I deserve it now. He feels he’s a tragic character, underused and undermined, so he’s righteous in a way, he feels he’s doing the right thing.
“I just love him because he’s real, that’s a real man, and he’s in the room right now 20 times over. There’s a lot of men who martyr themselves and viagra kaufen trample a lot of other peoples’ dreams, and they just don’t see it.”
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Moss (left) on Peggy’s struggle to make her way in the sexist battlefield of Sterling Cooper: “I think she’s getting used to it in a sense. What she’s getting is a lot more now. She got used to a certain level in the first season, and the second season is so much worse (now that she’s a copywriter), and she’s having to cope with that. The stakes are a lot higher for everyone in the show. She feels she got a leg up, but she has to deal with a lot more now. … She’s smart enough to know that if she shows any cracks, they’re going to go for that. She’s becoming very good at it.
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“I think a lot of things are happening that she didn’t think she had in her until she had to sue them. I think the second season has a lot to do with her fighting for a place in the office. Can she be one of the boys in the office, ever? Does she want to be? What does it mean to be a woman in that environment? She has no one to look up to, no predecessor, no footsteps to follow in. She’s the first one.”
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Kartheiser on preparing to play Pete: “One thing Matthew does that’s so amazing and we’re so blessed by is that he writes for us, he sees things not only with the character but in your own life. Not things that happened…but he watches what I do and adjusts to that. I’ve read a couple of advertising books from Ogilvie and that era. I watched some films that I thought I had to see, that the character would have seen, and listened to some music, but that was for the first season. Mainly it’s what Matt gives you. people aren’t nearly as tuned in to their generation and what their decade is about as they will be thirty years later, so going in with some sort of ultimate realization about the ’60s is not going to help (you play) your character.”
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Moss (right, with Weiner) on preparing to play Peggy: “It’s funny, Matt and I don’t talk a lot acheter du viagra about the character. We tend to, thank gosh, agree on a lot of things. From the very beginning, from the first audition, I think the reason I was cast was my vision of who she was was his vision of who she was. … I think she is getting smarter and savvier with every episode and every day in that office she learns something else to do or not to do. One thing about Peggy, she’s very streetwise, she learns from her experience, and she doesn’t make the same mistake twice.
Among Sterling Cooper’s clients in the first season was, unofficially, the 1960 Nixon-for-President campaign. I told Kartheiser that Pete’s self-pity reminde

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